Die Disposition der Orgel zum Herunterladen
Hauptwerk C-a''' | |
| Contraviolon 32' |
II | Bourdon 32' |
| Principal 16' |
| Violon 16' |
| Salicional 16' |
II | Lieblich Gedeckt 16' |
| Principal 8' |
| Gamba 8' |
| Fugara 8' |
| Konzertflöte 8' |
| Doppelgedeckt 8' |
| Gemshorn 8' |
| Dulciana 8' |
II | Gedeckt 8' |
| Quinte 5 1/3' |
| Octave 4' |
| Geigenprincipal 4' |
| Rohrflöte 4' |
| Dolce 4' |
| Quinte 2 2/3' |
| Octave 2' |
| Mixtur 3fach 2 2/3' |
| Mixtur 3-5fach 1 1/3' |
| Kornett 4-5fach 8' |
| Trompete 8' |
| Tremolo |
P | Contraposaune 32' |
| Tuba 16' |
| Tuba 8' |
| Tuba 4' |
| |
II | Trompete 16' |
II | Trompette harmonique 8' |
II | Corno 4' |
II | Basson 16' |
II | Fagott 8' |
II | Fagott 4' |
III | Oboe 8' |
III | Oboe 4' |
Schwellwerk C-a''' | |
| Bourdon 32' |
| Lieblich Gedeckt 16' |
| Geigenprincipal 8' |
| Bourdon 8' |
| Gedeckt 8' |
| Flauto amabile 8' |
| Aeoline 8' |
| Voix céleste 8' |
| Octave 4' |
| Flöte 4' |
| Flauto dolce 4' |
| Quinte 2 2/3' |
| Piccolo 2' |
| Terz 1 3/5' |
| Mixtur 4-5fach 2' |
| Kornett 5fach 8' |
| Trompete 16' |
| Trompette harmonique 8' |
| Corno 4' |
| Clairon 4' |
| Basson 16' |
| Fagott 8' |
| Fagott 4' |
| |
Tremolo | |
III | Oboe 8' |
III | Oboe 4' |
I | Tuba 16' |
I | Tuba 8' |
I | Tuba 4' |
I | Contraviolon 32' |
I | Violon 16' |
I | Salicional 16' |
I | Gamba 8' |
I | Dulciana 8' |
I | Dolce 4' |
III. Schwellwerk C-a''' | (Teilwerke A / B separat koppelbar) |
II | Bourdon 32' |
II | Lieblich Gedeckt 16' |
A | Flötenprincipal 8' |
A | Flöte 8' |
A | Quintatön 8' |
A | Viola 8' |
A | Viola céleste 8' |
II | Gedeckt 8' |
A | Fugara 4' |
A | Violine 4' |
B | Traversflöte 4' |
B | Nasard 2 2/3' |
A | Flageolet 2' |
B | Clarinette 8' |
B | Vox humana 8' |
| Oboe 8' |
| Oboe 4' |
| Tremolo |
| |
II | Trompete 16' |
II | Trompette harmonique 8' |
II | Corno 4' |
II | Basson 16' |
II | Fagott 8' |
II | Fagott 4' |
I | Tuba 16' |
I | Tuba 8' |
I | Tuba 4' |
I | Violon 16' |
I | Salicional 16' |
I | Gamba 8' |
I | Dulciana 8' |
I | Dolce 4' |
| |
| Cymbalum |
IV. Solo C-a''' | (spielbar von allen Manualen) |
| Flauto mirabilis 8' |
| Flauto mirabilis 4' |
| Flauto mirabilis 2' |
| Flauto mirabilis 1' |
| Flute céleste 8' |
| Flute céleste 4' |
| Clarinet 8' |
| Clarinet 4' |
| Tremolo |
| |
| Celesta |
| |
I | Contraviolon 32' |
II | Bourdon 32' |
I | Violon 16' |
I | Salicional 16' |
II | Lieblich Gedeckt 16' |
I | Gamba 8' |
I | Dulciana 8' |
II | Gedeckt 8' |
I | Dolce 4' |
I | Tuba 16' |
I | Tuba 8' |
I | Tuba 4' |
II | Trompete 16' |
II | Trompette harmonique 8' |
II | Corno 4' |
II | Basson 16' |
II | Fagott 8' |
II | Fagott 4' |
III | Oboe 8' |
III | Oboe 4' |
Pedal C-f' | | |
| Bassus magnus 32' | |
| Principalbass 32' | |
| Contraviolon 32' | |
| Contrabourdon 32' | |
II | Echobourdon 32' | |
| Principalbass 16' | |
| Violonbass 1' | |
| Subbass 16' | |
I | Harmonikabass 16' | |
II | Gedecktbass 16' | |
| Quintbass 10 2/3' | |
| Octavbass 8' | |
| Bourdon 8' | |
I | Cellobass 8' | |
I | Dulciana 8' | |
II | Gedeckt 8' | |
| Terzbass 6 2/5' | |
I | Quintbass | 5 1/3' |
| Choralbass 4' | |
| Flötenbass 4' | |
I | Cello 4' | |
I | Dolce 4' | |
II | Gedeckt 4' | |
I | Quinte 2 2/3' | |
I | Cello 2' | |
I | Dolce 2' | |
II | Gedeckt 2' | |
I | Quinte 1 1/3' | |
| | |
| Contraposaune 32' | |
| Posaune 16' | |
I | Tuba 8' | |
I | Tuba 4' | |
I | Tuba 2' | |
II | Trompete 8' | |
II | Trompete 4' | |
II | Trompete 2' | |
II | Basson 16' | |
II | Fagott 8' | |
II | Fagott 4' | |
III | Oboe 8' | |
III | Oboe 4' | |
III | Oboe 2' | |
Solo Pedal | |
| Flauto mirabilis 8' |
| Flauto mirabilis 4' |
| Flauto mirabilis 2' |
| Flauto mirabilis 1' |
| Flauto mirabilis 1/2' |
| Flute céleste 8' |
| Flute céleste 4' |
| Clarinet 8' |
| Clarinet 4' |
| Clarinet 2' |
| Tremolo |
| Celesta |
Normalkoppeln:
II/I, III/I, IIIA/I, IIIB/I, III/II, IIIA/II, IIIB/II, I/II, I/III, I/IV, II/III, II/IV, IIIA/IV, IIIB/IV, I/P, II/P, III/P, IIIA/P, IIIB/P, P/I, P/II, P/III, P/IV
Superoctavkoppeln:
I/I, II/II, III/III, IIIA/III, IIIB/III, P/P, II/I, III/I, IIIA/I, IIIB/I, III/II, IIIA/II, IIIB/II, I/II, I/III, I/IV, II/III, II/IV, IIIA/IV, IIIB/IV, I/P, II/P, III/P, I/P 2′, II/P 2′, III/P 2′
Suboctavkoppeln:
I/I, II/II, III/III, IIIA/III, IIIB/III, II/I, III/I, IIIA/I, IIIB/I, III/II, IIIA/II, IIIB/II, I/II, I/III, I/IV, II/III, II/IV, IIIA/IV, IIIB/IV
Normallage ab: I, II, III, IIIA, IIIB, P
Melodiekoppel, Pizzicato, Sostenuto, Pedal divide, Sforzando, Registerfessel, Tacet, General- und Einzeltransposer, Setzer, Manualsetzer, Sequenzer unter jedem Manual und als Pistons
Vier Schwelltritte für Schweller II, III und Crescendo, Schwellerkoppel